I know those are all different brands, but it’s what I’ve shot, gotten used to, and like. The black & white film stocks I use are Ilford Delta 3200, Kodak 400TX, and Ilford HP Plus 400 (35mm). My color film is primarily Kodak Portra 400 (and Portra 800 in lower light). I feel like that's a good balance for my clients. I do carry the Canon 5D Mark III in dark spaces, as well, to mix in some ambient color with my black & white film. I use a Vivtar 285 flash on it because it's really consistent. I really love the black & white photos that the Canon produces. I use the Canon EOS strictly for B&W reception photographs. This gives a nice old, nostalgic feel that I love. I like my Yashica for square-format black & white film photographs. These photographs are always some of my favorites for first dances, cake cutting, etc. At receptions, I set up two LED lights and shoot 3200 (120) black & white film out of the Mamiya. I mostly use the auto-focus, which is 99% reliable and tack sharp. So, I knew it was a good camera company with good glass. I shoot Mamiyas because the man that taught and trained me when I was 12 years old always shot a Mamiya RB67. For the Mamiyas, I load one with color film and one with black & white film. I carry two Mamiya 645s, a Canon EOS 1N (35mm), a Yashica MAT 124G, and a Canon 5D Mark III. Curious about what some of the best professional film photographers keep in their camera bags? In our new blog series, we're asking the pros to unpack all the gear that makes their film photography "click".Ĭheck out what's inside Davy Whitener's bag, from his five go-to cameras to his camera strap that pulls double duty to his body-saving essentials!
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